Old Spice · Culture & Doctrine

Old Spice Sold Manliness to Men. Its Comeback Sold It to Women.

Everyone remembers Old Spice turning a 'grandpa' brand into a young-man's brand. The real insight was colder: 60% of men's body wash is bought by women — so P&G aimed the joke at the buyer, not the user, and body wash sales doubled by July 2010.

Culture & Doctrine · 8 min

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A man stands in a bathroom, addresses the camera, and tells you to look at your man, then back at him, then back at your man — and the whole ad is shot in a single take while the floor turns into a boat that turns into a beach.4 What's easy to miss, behind the absurdity, is the pronoun. He is not talking to the man who wears the body wash. He is talking to the woman standing next to him. 'The Man Your Man Could Smell Like' was never addressed to its user. It was addressed to its buyer.

The official story is that P&G took a stale 'grandpa' brand and made it cool for young men. That's the version that gets repeated, and it's the version that misses the actual move. Old Spice didn't win by becoming a young man's brand. It won by deciding that the young man was never the customer in the first place.

The number that quietly rewrote the brief

By 2009, Old Spice had a problem with a deadline attached to it. The brand had been losing share in the male body wash segment it had entered back in 2003, and Unilever had just announced a Super Bowl launch for Dove Men+Care — a well-funded competitor about to plant a flag on the biggest stage in advertising.2 The conventional response would have been to outspend, or at least match: buy your own Super Bowl spot, talk to men about being men, hope the better ad wins. P&G's agency, Wieden+Kennedy — which had taken the account in the mid-2000s — found a different door. Buried in the research was a fact that reframed the entire fight: women made about 60% of all men's body wash purchases.23 The person you were supposed to be persuading wasn't standing in the shower. She was standing in the aisle, deciding what went in the cart.

60%
of men's body wash purchases were made by women — so the campaign spoke to the buyer, and let the user overhear2

Here is the thesis, and it's the part the 'grandpa-to-bro' narrative flattens: Old Spice's repositioning was a female-buyer play that used young men as the bait. The campaign's structural genius wasn't the towel or the boat or the deadpan. It was aiming the message at the purchaser rather than the user — and letting men eavesdrop on a conversation that was, technically, about them but not to them. Isaiah Mustafa, a former NFL wide receiver, plays a fantasy the ad explicitly admits a real man can't deliver.3 That's the joke. It flatters the woman watching and dares the man beside her to want to be a little more like the guy on the boat. The user becomes aspirational; the buyer becomes the audience.

The 'grandpa-to-bro' storyWhat the strategy actually did
TargetYoung menWomen who buy for men
The pitchBe cool, smell youngThe man you wish your man smelled like
Role of the spokesmanA role model to copyAn aspirational mirror for the buyer
Stated objectiveMake the brand modernSpark a conversation between men and women
Two ways to read the same campaign

Why the heritage became an asset instead of a liability

There's a delicious irony folded into all this. Old Spice's first product, in 1937, was Early American Old Spice — a women's fragrance. The men's line didn't arrive until the following year.7 P&G bought the brand from the Shulton Company in 1990, decades of nautical, aftershave-and-grandfather associations included.7 That seven-decade history is exactly what most repositionings try to bury. The campaign did the opposite. As one W+K account lead put it, the brand's long heritage was reframed not as old but as experienced — an expert on masculinity rather than a relic of it.8 Age stopped being the thing to apologize for and became the thing that gave the deadpan its authority. A brand-new brand can't sound that sure of itself. An old one can — if it stops pretending to be young.

They pulled it from the Super Bowl, but Wieden fought and was able to get it to run right after.3
Wieden+Kennedy creativesOn how the spot reached air — debuting online over Super Bowl weekend and breaking on TV the Monday after the game

And note what that quote concedes: P&G didn't even win the way the legend says it did. The most repeated 'fact' — that the ad ran during the Super Bowl — is false. P&G pulled it from the broadcast, the spot debuted online over the weekend, and it broke on TV on Monday, February 8, 2010, the day after the game.3 The brand that supposedly conquered the Super Bowl conquered the conversation around it instead. That fits the strategy perfectly. If your real target is the buyer rather than the viewer of a single broadcast, you don't need the game. You need the talk after it.

The receipts: what 'sparking a conversation' was worth

The goal was modest: lift body wash sales by 15%.1 By May 2010, Red Zone body wash was up 60% year-on-year — four times the target.1 Then came the move that turned a hit ad into a cultural event. Over two and a half days in July 2010, the team filmed 186 video responses to real comments from real people online, replying to fans in near-real time in Mustafa's voice.18 By the end of that month, Red Zone sales had doubled from the prior year, the response effort pushed sales to 125% year-on-year, and the campaign generated over a billion earned media impressions.18 By the end of 2010, Old Spice was the number one men's body wash brand in the United States.8 The work also swept the prize circuit — a film Grand Prix at Cannes in June and a Primetime Emmy for Outstanding Commercial in the months after.56

Feb 8, 2010
The ad breaks on TV3
Pulled from the Super Bowl broadcast, it debuts online over the weekend and airs on TV the Monday after the game.
May 2010
Up 60%1
Red Zone body wash sales rise 60% year-on-year — four times the 15% goal.
Jun 2010
Cannes Grand Prix5
The spot wins the film Grand Prix at the Cannes Lions festival.
Jul 14-16, 2010
186 responses in 2.5 days8
The team films real-time video replies to fans; sales reach 125% year-on-year by month's end.

Wasn't this just a great ad that got lucky?

The honest objection is that this reads too neatly. Plenty of brilliantly executed, perfectly targeted campaigns sink without a trace; Old Spice had a director shooting genuine single-take stunts, a charismatic lead, and a script written in about two days that happened to detonate online.34 Maybe the strategy is a story we tell after the fact about what was mostly comic timing and luck. Fair — but the buyer insight isn't a retrofitted rationalization. It's in the Effie filing as the documented creative driver, and the stated objective wasn't 'sell more body wash' but 'spark a conversation between men and women' — which is precisely what an ad aimed at the buyer-watching-with-the-user is designed to do.2 The execution was lucky in its brilliance. The aim was not lucky. A funnier ad pointed at men alone would have made men laugh and changed nothing in the aisle, because the man laughing wasn't the one with the cart.

Find the buyer hiding behind the user

In a surprising number of categories, the person who consumes the product is not the person who chooses it — kids' cereal, pet food, men's grooming, enterprise software bought by procurement for engineers. The reflex is to court the user, because the user is who the product is 'for.' But the money moves when the buyer decides, and the buyer is often invisible in your brief precisely because everyone agreed long ago who the 'customer' is. So before you write a word of the pitch, ask the unglamorous question: who actually puts it in the cart? Then aim there — and let the user overhear. The catch: this only works if the user still gets to feel flattered. Talk over their head and you lose them; talk to the buyer about them, and you win both.

Old Spice didn't stop being a grandfather's brand by hiding the grandfather. It put him on a horse, handed him a deadpan, and pointed the whole performance at the woman in the aisle who was always going to make the call. The popular version — old brand gets young — is the easy lesson, and it's the wrong one. The real lesson is colder and more useful: the most valuable person in your market is sometimes the one your category has spent decades forgetting to talk to. Old Spice remembered, and doubled its sales reminding everyone else.

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Sources

Where this comes from — the filings, records, and reporting behind it.

  1. 1
    Primary · Company recordDocumented
    The 'Smell Like A Man, Man' campaign was created by Wieden+Kennedy Portland for P&G's Old Spice brand; the goal was to increase body wash sales by 15%, but by May 2010 sales of Old Spice Red Zone Body Wash had increased 60% from the prior year, and by July 2010 sales had doubled; 186 video responses were filmed in two-and-a-half days.
  2. 2
    Primary · Company recordDocumented
    The Effie Gold case filing confirms: primary agency W+K, contributing agencies Paine PR and Landor; Old Spice introduced body wash for men in 2003; by 2009 share in the male body wash segment was slipping; Unilever announced a Super Bowl campaign for Dove Men+Care; the strategic challenge was to win 'the battle of the buzz' without a Super Bowl spot; the 60% female purchase insight drove creative strategy.
  3. 3
    SecondaryAttributed to source
    P&G originally intended a Super Bowl spot; W+K creatives Craig Allen and Eric Kallman wrote it in about two days; P&G pulled it from the Super Bowl broadcast but allowed it to air immediately after; the spot debuted online over Super Bowl weekend and broke on TV on Monday February 8, 2010; research showed women made 60% of all men's body-wash purchases; Isaiah Mustafa is a former NFL wide receiver and actor.
  4. 4
    SecondaryAttributed to source
    The ad was directed by Tom Kuntz; creatives were Craig Allen and Eric Kallman under CDs Eric Baldwin and Jason Bagley; the initial ads were shot in a single take; the campaign launched in February 2010.
  5. 5
    SecondaryDocumented
    In June 2010 the ad won the Grand Prix for film at the Cannes Lions International Advertising Festival; in July 2010 it won a Primetime Emmy Award for Outstanding Commercial. Wieden+Kennedy's W+K Portland office took the film Grand Prix; the other two Grand Prix trophies that week went to Nike.
  6. 6
    SecondaryDocumented
    Wieden+Kennedy won the Emmy for Outstanding Commercial at the Creative Arts Primetime Emmy Awards for 'The Man Your Man Could Smell Like.'
  7. 7
    Primary · Company recordDocumented
    The first Old Spice product, called Early American Old Spice for women, was introduced in 1937, closely followed by Old Spice for men in 1938; Procter & Gamble purchased the Old Spice fragrances, Skin Care, and Antiperspirant and Deodorant products from the Shulton Company in June 1990.
  8. 8
    SecondaryAttributed to source
    By the end of 2010, Old Spice had become the number one selling brand of body wash for men in the United States; the Response Campaign (July 14–16, 2010) grew sales to 125% year-on-year by end of July; the campaign generated over one billion earned media impressions; W+K account director Jess Monsey is quoted saying the brand's 70-year heritage was repositioned as making it 'experienced' and an expert on masculinity.